I’m already annoyed because I know nobody will actually like this. There is way too much implied story, which I suppose at some time I might bother to write. But I really like the fact that there isn’t actually a plot. Nothing happens. Because this isn’t a ‘story’ – it’s not about what happens. It’s just a reflection on this character, this one woman who has been abandoned in the most beautiful place, knowing that she will die there, and submitting to it.
I don’t even know why I’m publishing it but here you go.
Like always, it doesn’t have a name. Call it Ark if you want to call it anything.
The colour of my hands reminds me of home; it’s the first time I’ve seen blue in almost eight years. Things are different here, so backwards, but so beautiful. It’s like a dream and I’m waiting to wake up.
I’m sitting on a cliff edge. I managed to climb part way down to a ledge where my feet could dangle but my back could be supported. And I can see a scene I’ve seen before, but the orange sky is not ink. The silhouetted animals are not static. They look closer than they are, because they are so big, like nothing I’ve ever seen on earth except in the museums. There are species here I never got the chance to save, and it’s such a waste. To my left, a sun sets, as one rises to my right. It was in a similar twilight that I sat down and kicked my shoes off and watched them fall, bouncing off the blemishes in the cliff’s face, until they fell out of sight. How many days and half-days have passed since then is hard to tell when both suns look the same.
The sky is an amber canvas, pink-ribboned, beautiful. I woke to it naturally; even if I had an alarm I would not let it ruin this tranquillity. I haven’t heard a sound that I did not make in days. Even the calls of the birds don’t carry this high. They’re not entirely different from the birds I used to nurse at home; colourful and charismatic, but with bigger wings. The air is more dense here, the copper crystals which give the sky its ginger tint also make it heavy. I don’t notice the taste of the copper any more, and I’ve already been out in it so much longer than we were told was safe without a mask. But since the ship flew, taking with it all the oxygen chambers and purification generators and not me, I’ve had little choice in the matter. Eight years to get where I am, to collect the data, to study, monitor, understand. When, in two years time, they get my work home, my old colleagues will study, monitor, but they will not understand. And I will not be there to help; I will be long-since crystallised, and likely the whole planet, by that time, will have perished too. The two suns which march relentlessly around SC-J are its keepers, the masters of its fate, and the architects of its inevitable destruction as its sulphur core slowly cooks until a forecast simultaneous eruption from its bowels blows the surface into a myriad tiny satellites orbiting what will be the only known naturally-forming metal planet, forged in the furnace of its own micro-solar-system.
There is no place for life on that planet. Not for the animals we came to save. Not for the team that left without me. Not for me.